Curriculum Vitae

    John B
 
Orange Snake, Blown glass - Graal, 5 3/4" X 5 3/4"k}rekke Art and Glass
Orange Snake

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EDUCATION:

University of Wisconsin, Madison, Bachelor of Science, 1978
Illinois State University, 1975-1976
Art Institute of Chicago, 1971-1973

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AWARDS:

2001 Pollock-Krasner Foundation, Artist Grant
1999/2000 New York Foundation for the Arts, Artists' Fellowship Award
1998/1999 Fulbright Fellowship, Australia
1998 NYC Department of Cultural Affairs, Percent for Arts Program
Open Doors Senior
Center
1996 Visiting Artist, Osaka Art University, Osaka, Japan
1996 Artist-in-Residence, Canberra School of Art, Canberra Australia
1993 Emerging Artist Fellowship, Empire State Craft Alliance
1991 Prix Verre Grave, "Biennale Internationale De Verre D'Art Contemporain,"Biot France
1990 Fellowship, Creative Glass Center of America, Millville, NJ
1985 Artist-in-Residence, New York Experimental Glass Workshop, New York, NY

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SOLO EXHIBITIONS:

2003 Yamaki Art Gallery, Tokyo & Osaka
2002 John Elder Gallery, New York, NY
2000 Narrative Overlay, Drill Hall Gallery, Canberra, Australia
1996 Yamaki Art Gallery, Osaka, Japan
1995 Leo Kaplan Modern, New York, NY
1994 Leo Kaplan Modern, New York, NY
1992 Leo Kaplan Modern, New York, NY
1991 Gallery Latona, Stockholm, Sweden
1989 Leo Kaplan Ltd., New York, NY
1987 New York Experimental Glass Workshop Gallery, New York, NY
Schreiber-Cutler Gallery, New York, NY
1986 Schreiber-Cutler Gallery, New York, NY

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GROUP EXHIBITIONS:

  • 2005 Viewed Through Glass, Heller Gallery, New York, NY
  • City Art, Center for Architecture, New York, NY
  • New Directions in Australian Glass, Australian Embassy, Washington, DC
  • 2004 Glass: A View Within, The Arts Center, Tampa, FL
  • 2003 Words, Text, Stories, The Society of Arts and Crafts, Boston, MA
  • Morgan Contemporary Glass, Pittsburgh, PA
  • The Glass Vessel, Kentucky Museum of Arts + Design, Louisville, KY
  • Glass from the collection of Mr. & Mrs. William Block, Toledo Museum of Art, Toledo, OH
  • 2002 Group Show, Galleri Glas Ett, Hässelby Sweden
  • Glass America 2002: red white blue, Heller Gallery, New York, NY
  • Glass from the collection of Mr. & Mrs. William Block, Carnegie Museum of Art, Pittsburgh, PA
  • 2000 Defining Craft I, American Craft Museum, New York, NY
  • Artists from the Percent for Art Program, New York, NY
  • 1999 Clearly Inspired, Fort Wayne Museum of Art, Fort Wayne, IN
  • Chihuly/Brekke:Two Man Show, Yamaki Art Gallery, Fukuoka, Japan
  • Clearly Inspired, Tampa Art Museum, Tampa, FL
  • The Erotic Series, Nordstamp International, Delray Beach, FL
  • 1998 Leopard and Tiger Return to Mountain, Art in General, New York, NY
  • 1997 Glass Today, The Cleveland Art Museum, Cleveland, OH
  • Commitments, Brooklyn Brewery, Brooklyn, NY
  • 1994 Contemporary Glass, Craft Alliance, St. Louis, MO
  • 1993/1994 Tell Me a Story, New Delhi Triennial, New Delhi, India
  • Tell me a Story, Taft Museum, Cincinnati, OH
  • 1993 Godzilla, A New World Order III: The Curio Shop, Artists Space, New York, NY
  • Artists + Language, the Society for Contemporary Crafts, Pittsburgh, PA
  • Untitled, Yamaki Art Galley, Osaka, Japan
  • 1992 Untitled, Carpe Diem Gallery, Paris, France
  • Inaugural Glass Exhibition, Hokin Kaufman Gallery, Chicago, IL
  • 1991 Friends of Birdyland, Carpe Diem Gallery, Paris, France
  • Leo Kaplan Modern, New York, NY
  • New York Experimental Glass Workshop, Grohe Glass Gallery, Boston, MA
  • De Sable et D'Esprit, Carpe Diem Gallery, Paris, France
  • 1990 Leo Kaplan Modern, New York, NY
  • 1989 Contemporary Glass 1989, Contemporary Crafts Gallery, Portland, OR
  • The Vessel: Study in Form and Media, Craft and Folk Art Museum, Los Angeles, CA
  • Form Over Function, Rye Art Center, Rye, NY
  • 1988 Americans in Glass, Heller Gallery, New York, NY
  • 1987 Seeing Glass: Newhouse Gallery, Snug Harbor Cultural Center, Staten Island, NY
  • 1986 New York Experimental Glass Workshop Gallery, New York, NY
  • Schreiber-Cutler Gallery, New York, NY
  • 1985 Area X Gallery, New York, NY
  • 1982 Charles Cowles Gallery, New York, NY
  • 1980 Lakeview Museum of Arts and Sciences, Peoria, IL
  • Corning Museum of Glass, Corning, NY
  • 1978 Madison Art Center, Madison, WI
  • Elvejhem Art Museum, Madison, WI
  • Milwaukee Art Center, Milwaukee, WI
  • 1977 Columbus Museum of Art, Columbus, OH

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SELECTED COLLECTIONS:

Museum of Art and Design, New York, NY
Australian National University, Canberra, Australia
Carnegie Museum, Pittsburgh, PA
Charles A. Wustum Museum of Fine Art, Racine, WI
Corning Museum of Glass, Corning, NY
Daichi Museum, Nagoya, Japan
"Kristallwelten," an Andre Heller project, Wattens, Austria
Lintas Worldwide Inc., New York, NY
Milwaukee Art Center, Milwaukee, WI

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TEACHING EXPERIENCE:

  • 2000 Canberra School of Art, Australia National University, Canberra, Australia
    Part time faculty in Hot Glass
  • 1997 Bard Graduate Center for Studies in the Decorative Arts, New York, NY
    Guest lecturer in glassblowing.
  • 1997 University of Connecticut at Hartford, Hartford, Connecticut,
    Guest lecturer in glassblowing.
  • 1997 Urban Glass, Brooklyn, NY
    Instructor, advanced glassblowing.
  • 1996 Corning Museum of Glass -The Studio Summer Program, Corning, New York
    Two week workshop in advanced glassblowing technique.
  • 1996 Canberra School of Art, Australia National University, Canberra, Australia
    Workshop in Swedish "Graal" technique.
  • 1990 Tyler University, Philadelphia, PA
    Guest Lecture in glassblowing.
  • 1985- 1992 New York Experimental Glass Workshop, New York, NY
    Glassblowing instructor in all levels of experience
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WORK EXPERIENCE:

  • 1990 - Present, Independent Artist, working in glass, New York City, NY.
  • 1983 - Present Artist Assistant, various artists, New York City, NY
    Head gaffer and glass blower for various artist in New York City.
  • 1986-1997 Committee Member and Volunteer, Urban Glass, New York, NY
    Assisted with design and building of equipment (furnaces, annealers, and glory holes),
    at the New York Experimental Glass Workshop and Urban Glass. Worked on call at
    various times to trouble shoot furnace problems. Provided technical advise to students
    and visiting artists.
  • 1992 Studio Builder, St. Petersburg, FL
    Designed and built hot glass studio in St. Petersburg.
  • 1990 Glassblower, Milton Glazer, New York, NY
    Fabricated designer lamp shades for New York City restaurant.
  • 1982-1990 Art trucker, Waters Fine Arts Service, New York, NY
    Drove truck and moved art from artist studios to galleries and museums in the New
    York City metropolitan area.
  • 1983-1985 Artist Assistant to Paul Seide, New York, NY
    Glassblowing assistant to artist.
  • 1980-1982 Artist Assistant to Dennis Ashbaugh, New York, NY
    Prepared and set up canvases for artist. Including stretching, frame assembly, paint
    inventory.
  • 1977-1978 Studio Assistant to Jean Vallieres, Quebec, Canada
    Assisted in the building and setting up a new glass studio in Quebec City. Helped in
    the design and installation of furnaces, glory holes and annealers.

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BIBLIOGRAPHY/PUBLICATIONS (selected):

  • 2004 Detroit Free Press Glass Show is on the Crystal Edge January 18, 2004.
  • 2003 Yelle, Richard, International Glass Art, Penn., USA Schiffer Publishing, Ltd, 2003.
  • 2002 Nichols, Sarah and Davira Taragin, "Contemporary Glass from the Collection of Mr. and Mrs. William Block," Pittsburgh, PA, 2002.
  • 2001 · Hinchliffe, Meredith, "Narrative Overlay," Vetro, no.10, March 2001, pp. 31-33, ill.
  • 2000 Brekke, Dan, "Narrative Overlay: John Brekke," Canberra, Australia,
  • .Hinchliffe, Meredith, "A Visual Diary." The Canberra Times, June 27, 2000. · Object, no 2:00, 2000, p. 99, ill.
  • Yelle, Richard, GLASS ART, Penn., USA: Schiffer Publishing, Ltd., 2000, pp. 27-28.
    · New Glass Review 21, The Corning Museum of Glass, 2000, p. tba, ill.
  • 1999 Chambers, Karen S. and Tina Oldknow, Clearly Inspired: Contemporary Glass and
    Its Origins, San Francisco, California: Pomegranate Communications, 1999, pp.
    40, 51, 126.
  • Chambers, Karen. "Clearly Inspired: Contemporary Glass and its Origins." Neues
    Glas/New Glass, no. 2, vol. 1999, pp. 36-41, ill. p. 38, in German and English.
  • 1998 Perreault, John. "Reviews: Leopard and Tiger Return to the Mountain." Glass (Urban Glass), no. 71, Summer 1998, p. 51, ill.
  • Cotter, Holland, "Art in Review, Empire Within," New York Times, February 20, 1998.
  • Milne, Victoria, "Private Space," John Brekke & Arlan Huang - Leopard and Tiger
    Return to the Mountain, New York: Art in General, 1998.
  • 1997 Glass Today: American Studio Glass from Cleveland Collections,
    Cleveland, Ohio: The Cleveland Museum of Art, 1997, p. 72.
  • 1995 Stone, Grahm. "Exhibitions in Melbourne." Ausglass, Spring 1995, pp. 11-13, ill.
  • "In Context: John Brekke." Glass (Urban Glass), no. 61, Winter 1995, pp. 41-49 ill. and Cover.
  • "Acquisition: John Brekke." American Craft, vol. 55, no.1, Feb/March 1995, p. 18, ill. vessel in American Craft Museum.
  • 1994 "Reviews: John Brekke." Glass Magazine (New York Experimental Glass
    Workshop), no. 56, Summer 1994, p. 51, ill. New York exhibit.
  • 1993 "ESCA Announces 1993 Grant Recipients." Inform (Empire State Crafts Alliance),
    vol. 13, no. 4, Oct/Nov/Dec. 1993, p. 1 ill.
  • New Glass Review 14, The Corning Museum of Glass, 1993, p. 13, ill.
  • 1992 "Reviews of Exhibitions: Gyorgy Buczko, John Brekke." Glass (New York
    Experimental Glass Workshop), no. 48, Summer 1992, pp. 48-49, ill.
  • "Portfolio -John Brekke." American Craft, vol. 52, no. 3, Jun/July 1992, p. 50, ill., Graal vessels by Brekke.
  • 1990 Kangas, Matthew, "Exhibitions John Brekke." Glass (New York Experimental Glass
    Workshop) no. 41, Fall 1990, p 50, ill., New York Exhibition.
  • 1988 Dodds, Jane, "Portfolio: A Conversation with John Brekke." New Work, no. 32,
    Winter 1988, pp. 30-31, ill.
  • Waggoner, Shawn, "Overlay Engraving Cuts Beautiful Art." Glass Art Magazine,
    vol. 2, no. 5, July/Aug., 1988, pp. 10-15, ill.

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